2016 Promo

2016 Promo

Here is a selection of promotional materials used in BlakeFest 2016.

2016 BlakeFest

Amazing, jaw-dropping, spirited sets that raised the bar in Bognor Regis.

Each band performed their own original material from 14 year-old Bognorian, Bella Estelle to David Devant and His Spirit Wife to crowd-pleasers, Dodgy.

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Sky Arts filmed two sets: the Blake-inspired Irish poet Niall McDevitt performing on the pier; and, in the intimate setting of SeaFish on the Sunday, Deborah Rose and Marie Randall singing an emotional Tyger Tyger, amongst other magical ballads.Poet Atilla the Stockbroker, after his initial anarchic, high-energy deliveries, switched into punk-folk which didn't leave many dry eyes when he performed the poem about his step-dad.

Sounditions' weird world music style went down incredibly well, alongside performances from Sky and The Speak.

There was something in the air and Niall posted 'A beacon has been lit on the Coast'.

All those involved are keen to carry on supporting an authentic Blakean Festival and Attila made a promise to the audience to help organise the next one if the land could be secured.

2016 Media

A selection of the media output from BlakeFest 2016.

2016 Blake's Outsiders


“Raged with curses and sparkles of fury”

The Book of Los
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Last night something extraordinary happened to my soul, it was awakened and moved in a way that so seldom happens at art events. As part of Blake’s Outsiders, Damian and Delaine Le Bas along with the band Noiseferatu enacted a visceral slice of agit-prop performance which seemed to stop the clocks. Existing outside and of its time, expressing all the howling, hidden discontent felt towards the Sick Rose at the heart of Angerland.

Anticipation and edginess abound, Damian’s face is covered in cowboy-rustler-bad boy style with a scarf, Delaine in demonic Goldilocks fashion wearing a glittering gold shift dress  (all the better to see her with  when the lights go out)   is almost unrecognisable in a long curly blonde wig, a veil curtaining her face,. She does not speak to anyone, she is attending to various props on the floor, she is becoming her persona. The lights go out, the music begins, a moody symphonic electronica, reminiscent of Bowie’s Low mixed with bird twitterings. Two musicians, enter from a room in the back, their faces covered by devil masks, contemporary signifiers of anti capitalist political protests. Their guitars slung low over their shoulders like rifles, these sinister caribinieri move slowly among the crowd   their bass lines mimicking the sound of ominous warning bells.

Delaine crouches down and begins to intone Blake’s verses about This Green and Pleasant Land, the words are wrung out and repeated in a measured  gutteral wail.

And all the while her dress sparkles as if aflame in the darkness. As the lights go up and the musicians leave, Damian remains at the mixing desk and now the birdsong becomes increasing more evident, a pastoral counterpoint to the previous existential darkness of events.

“And Nobles and Clergy shall fail from before me, and my cloud and vision be no more;

The mitre become black, the crown vanish, and the sceptre and ivory staff

Of the ruler wither among bones of death; they shall consume from the thirstly field,

And the sound of the bell, and the voice of the sabbath, and singing of the holy choir,

Is turn’d into songs of the harlot in day, and cries of virgin in night.” [i]

I am transfixed by the sights and sounds before me, this is no bourgeois self regarding art making, this is a Blakeian call to arms, a performance that has found its time, a howl that brings to mind all the avant-garde enactments that have gone before it from Jack to Patti Smith, from Weimar political cabaret, to punk polemic.

Referring to Blake during the period he wrote The Book of Los (1795) Dr Bruce Woodcock writes “The amazing productiveness of Blake during the first half of this decade was almost a race against time as governmental restrictions began to impact on the creative artists sympathetic to radical views”. [ii]Last night that race was once again being run.

[i] The French Revolution, William Blake 1791

[ii] The Selected Poems of William Blake, Wordsworth Editions 1994

2016 BlakeFest Art

Here is a selection of the Art displayed as part of 2016's BlakeFest event.

2016 Art Exhibitions & Installations

Here is a selection of the Art displayed as part of 2016's BlakeFest event.

2016 Talks and Spoken Word

Here are a selection of photographs capturing our Poetry event at the SeaFish venue as part of BlakeFest 2016.

2016 Publications

Kate Pollard is a Bognor resident who has exhibited artwork in the town over the last 10 years, including a piece in the 2017 Dandelion Visions exhibition and had recently branched out into writing. Her debut novel, The Brightness, was released on Amazon Kindle in 2014. It was followed in 2015 by the sequel, The Breakout, completing the story which has been described as "a tale of supernatural fantasy in the genre of CS Lewis and Tolkien in the best possible way." Her books appeal to all ages from teenager to adult. In 2016, both books were published in paperback by The Big Blake Project.